忘足，履之适也；忘要，带之适也；

忘是非，心之适也；

不内变，不外从，事会之适也；

始乎适而未尝不适者，忘适之适也。

Forgot to suffer, the right to play; forget, it is suitable; forget right and wrong, the heart is suitable; not internal changes, but the matter will be suitable; also.

——《庄子·达生篇》

品牌故事

Brand Story

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白大师·福鼎白茶，是一家集福鼎白茶研发、加工、销售及运营推广为一体的茶叶品牌。此次受邀设计品牌位于天台的营销中心空间。

Master Bai Fuding White Tea is a tea brand that integrates the development, processing, sales and operation of Fuding Bai Tea. This time, it was invited to design a brand space located in the rooftop.

空间，半隐于天台老街车水马龙的喧嚷街边。翠竹合围的庭院闹中取静，一方苔藓是微缩东方山水，烧衫板上沉淀时间的痕迹，向往的雅韵生活，就此徐徐展开。

Space, semi -hidden on the noise streets of the water horses of Tiantai Old Street. The courtyard of Cuizhuhe was quiet. One side of the moss was the traces of the time that slightly shrinks the oriental landscape.

设计革新

Design Innovation

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案子之前，天台不乏聚焦东方美学的茶空间，亦不乏集萃人文艺术的美学空间实践。而设计之 “新”，在于藉物的当代生活美学表达。

Before the case, there was no shortage of tea space that focused on oriental aesthetics, and there were also aesthetic space practices that combined humanities and arts. The "new" design lies in the expression of contemporary life of borrowing things.

让当代美学在天台这座历史文化名城全新演绎：当代艺术与东方茶生活的探索与表达，以 “物与园” 为载体，对话内心，去纷别繁。

一个个空间，宛如城市的独立容器。物心之美，在于盛放、包裹、融合、涤心。足履牵绊，忘记牵绊，身在城市，忘记城市，人处空间，忘记空间。

Each space is like an independent container in the city. The beauty of the heart lies in blooming, parcels, fusion, and polying the heart. Football teams, forgotten to hold, be in the city, forget the city, space, and forget the space.

建构·从无到有

Create From Nothing

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尺度内，用细节包裹极简，内部是质朴的无雕琢天然感。访客走过迂回且几何分割的通道，像是走入光影如画的艺术之境，开启一场美学偶遇。

In the scale, the details are minimalist with details, and there is a simple and non -carved natural sense inside. Visitors walked through the circuitous and geometric segmentation channels, like walking into the artistic state of light and shadow, and opened a aesthetic encounter.

尺度外，用中国园林借景、添景、框景、漏景等手法，增加迂回空间以丰富观览情趣。大量引光入室、引景入室，借助时间的流动、天光树影的变化，产生无限生动的画幅，与讲究“移步换景”的山水画异曲同工。有种 “山静似太古，日长如小年” 的美好体验。

In addition to the scale, use Chinese gardens to borrow scenes, add scenes, frame scenes, and missing scenes to increase round trip space to enrich the interest. A large number of lighting into the room, attracting the scenes into the room, with the flow of time and the changes in the shadow of the sky, produce unlimited and vivid formats, and work with the landscape painting that pays attention to "change the scene". There is a beautiful experience of "mountain static like Tai ancient, day long like a small year".

创造·刚柔并济

Hardness and softness

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残缺中蕴含着自然的生命力，来自于自然的材质，以一种微弱的存在感呈现在空间中，这种存在是去掉装饰的自然呈现，借自然之力表达自然。而光的介入，让线条和块面的明暗关系变得更加强烈。但这种标准的现代设计，因为有了新材料的应用和进光量的控制，给予人的第一印象。

The incompleteness contains natural vitality, from the natural material, presented in the space with a weak existence. This existence is the natural presentation of the decoration, expressing nature through the power of nature. The intervention of light makes the light and dark relationship between lines and blocks stronger. But this standard modern design, because of the application of new materials and the control of the amount of light, gives people the first impression.

铺前花台小草，石块矗立，一隅天地给予访客物外之趣，北面茶室是最舒服的选择，尤其在午后。沐浴着和煦的阳光，品啜香茗，伴着氤氲的茶气而居，望着窗外的竹影斑驳，虽然歇坐室内，宛在竹林邃谷，偶有风声簌簌，令人产生遗世独立之感。

Putting the front flowers of the flowers, the rock stands, the world is given to the visit of the house, and the tea room in the north is the most comfortable choice, especially in the afternoon. Battle in the gentle sunlight, the fragrant fragrant, accompanied by the 氤氲, looking at the bamboo shadow outside the window, although sitting in the room, Wan in the bamboo forest valley, occasionally windy sounds, which makes people have an endless world. Sense of independence.

中国人喜欢喝茶，它冲淡、平和、静雅，像极了旧时年光。于茶之外，也延伸了无数的风雅，如前人之诗、书、画，而茶室于无形中承载了这一切。瓦屋纸窗，清泉绿茶，茶室内外，让生命有了别样的繁华，正如明人祁彪佳所谓：「四时之景，都堪泛月迎风；三径之中，自可呼云醉雪」。一间茶室，充盈着生活闲适与雅致，它是最契合中国人的生活方式。有间茶室，足以奢侈。

The Chinese like to drink tea. It is dull, peaceful, and quiet, like the old age. In addition to tea, countless winds are also extended, such as poems, books, and paintings of predecessors, and the tea room carries it all. Wajin paper window, Qingquan green tea, indoor and outdoor tea room, allowing life to have a different kind of prosperity, as the Ming people Qi Biaojia so -called: "The four o'clock scenes are all the moonlight and the wind; "". A tea room, full of life and elegance, it is the most suitable way of life in the Chinese. There is a tea room, which is enough to be extravagant.