黄渊青
无法之法
^
黄渊青的作品是从书法的内在出发，与现当代艺术所相遇产生的反应。书写，是他作品的语言。接受不确定性，瞬间性，并与此对应中产生的结果。 黄渊青以融合中西的技艺展现抽象艺术。精研书法，黄渊青的作品以当代文人的姿态重新阐释了“书画同源”这个中国艺术理论中的传统概念。他的作品通常由线条引导，并辅以层次丰富的色彩从而产生不断叠加的肌理。 黄渊青将书写贯穿古典与当代，率性的绘画语言，灵动而准确，逐渐呈现在时间中潜行的知性韵律。与创作书法的规律相反，他作画时很少一气呵成，个别作品经历数月甚至数年才最终完成，但也正因如此，经过深思熟虑和时间的沉淀，黄渊青的作品也更为历久弥新。
2021-z-1 60x121cm 混合材料 宣纸
2021-2022-1 260x200cm 布面油彩
2021-10 170x210cm 布面丙烯油彩
我们中国人是内敛的，相比于直抒胸臆的发声表达，也许书写是更适合我们性格的方式，比如诗。从魏晋开始，书写汉字在前人的规范下经由个体的创造呈现出属于自己的美学。我们的诗人将字里行间的诗意与彼时的心境交融于书写的节奏与律动中，构建了字、心与书三者的平衡关系。点是开始，是确定，线是传承，是渴望，是无论如何要延绵下去的努力。而书法也成为了黄渊青抽象创作中重要的内在逻辑。让我们抛开画面的颜色，专注于由笔触线条所带来的绘画性，你很少能看到那贯穿整个画面的肆意挥洒，取而代之的是轻松简短的线条呈现出轻与重、缓与急、疏与密、停留与连接、扭转与延直的律动，如同呼吸。让我们再退后几步，端详他的画。 尽管你看不到重复与排列，仿佛他的线与颜色都是如此“随意”，但是你仍然可以感受到一丝和谐，那是经由书法的逻辑所带来的制衡关系。我不想把这种关系称之为秩序，因为在中国人的认识里，可能“规矩”一词更为契合黄渊青的语境。这“规矩”不是指艺术家固守于一个肉眼可见的、恒定的准则内，而是描述他的作品在看似“轻松”的外显背后其实隐含着非肆意的牵引和深入。这种特质在书法中被称作法度，所谓无法之法，是为至法，它告诉我们突破具象确定的法度才是真正理解它的过程。所以，黄渊青的抽象是将法度幻化为内心的认识，同时警惕经验，摆脱熟练，投入到对质朴和自由的追寻中。
——摘自张吉星评论文章《不在左右，也不在中间，只是平衡的“格”》
2021-9 200x170cm 布面丙烯油彩
2021-3 210-170cm 布面丙烯油彩
2019-2021-1 160x160cm 布面丙烯油彩
2019-8 200x170cm 布面丙烯油彩
2019-4 140×175cm 布面丙烯油画
2019-1 210x170cm 丙烯油彩 亚麻布
2018-2021-3 250x170cm 布面丙烯油彩
2018-2021-2 210x170cm 布面丙烯油彩
Chinese are introverted, so handwriting expression such as writing poetry is way more suitable for our character than direct voice expressions. Since the Wei and JinDynasties, calligraphy has gradually presented its own aesthetic style through individual creation under the norms of predecessors. Our poets blend the poetry between the lines and the mood at that time into the rhythm of handwriting and engage a balanced relationship between the words, the heart, and the calligraphy. A point betokens the beginning and the determination, and the line represents the inheritance, the desire, and the effort to continue no matter what. Calligraphy has become an important inner logic in Huang Yuanqing's abstract creations. Let's put aside the color of the picture and focus on the painterlinessbrought about by his strokes and lines. You rarely see the wanton brushing that runs through the whole canvas. Instead, his lines show the rhythm of light and heavy, slow and urgent, sparse and dense, staying and connecting, twisting and straightening like our breathing. Let's take a few steps back and gaze at his paintings. Although you can't find the repetition or arrangement on the surface, and his lines and colors are so "random", you can still feel a touch of harmony, which embodies in a check and balance relationship brought about by the logic of calligraphy. It is inappropriate to call it "order", because, in Chinese people's understanding, the word "rules" may be more in line with Huang Yuanqing'scontext. The "rules" does not mean that the artist remains stubbornly to a visible and constant criterion, but describes that behind the seemingly "loose" appearance of his works, there is seriously the orient cultural clue and structural depth. This characteristic is called a measurement of rules in calligraphy. The so-called rule without explicit steps and clear formulas is the "supreme rule", which tells us that breaking through the concrete and definite rule is the process of truly understanding it. Therefore, Huang Yuanqing's abstraction is to present his inner knowledge of art and calligraphy, and he is alert to the experience, rid of the proficiency, and devotes himself to the pursuit of pristine and freedom.
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---Excerpted from Zhang Jixing's review article "Not on the Right &Left, Not in the Middle, Just A Balanced ‘GE’
2017-1 250x170cm 丙烯布
2016-17 布面丙烯 170x220 cm
2016-10 200x160cm 布上丙烯
2015 (2) 布上丙烯
2014-11 150x130cm 布上丙烯
2012.11 150×130cm 布面丙烯
2011-z-1 (2) 布面丙烯
2008-2009-4 150×130cm 油画、丙烯 布
2007-15 250×180cm 布面丙烯
2006-2021 130-150cm 布面丙烯油彩
2006-2014 混合材料 130x150CM
2003-5 150×130cm 丙烯 布 x
2002-7
2001.9 140CMx146CM 混合材料.布
2001-16 160×140cm 布面丙烯
1997.18 67×67cm 混合材料 宣纸
2022.9月，无形之形，宝龙艺术中心展览现场
^
黄渊青
1963年生于上海
现居上海
个展
|
2018 |
触发 |
Pearl Lam Galleries |
香港 |
|
2017 |
自我触发 |
秋水空间 |
上海 |
|
2016 |
黄渊青个展 |
Galerie Albrecht |
柏林 |
|
|
墨 |
晴日堂 |
上海 |
|
2015 |
势 |
2013Art |
上海 |
|
2014 |
没有边界 |
艺博画廊 |
上海 |
|
2013 |
黄渊青个展 |
三条祉园画廊 |
京都 |
|
2012 |
黄渊青个展 |
Galerie Albrecht |
柏林 |
|
2010 |
形·象 |
张江当代艺术馆 |
上海 |
|
2010 |
黄渊青个展 |
Galerie Albrecht |
柏林 |
|
2007 |
靠近 |
曼谷大学画廊 |
曼谷 |
|
2005 |
在-不在 |
张江当代艺术馆 |
上海 |
|
2003 |
像·相 |
比翼艺术中心 |
上海 |
|
2001 |
个人画展 |
Goto画廊 |
东京 |
部分联展
|
2022 |
尊崇与信念-海派抽象艺术研究展 |
久事美术馆 |
上海 |
|
|
无形之形：井上有一，关根胜夫,黄渊青 |
宝龙艺术中心 |
上海 |
|
|
恒歌酣舞，三人展 |
沪申画廊 |
成都 |
|
2021 |
四城，当代艺术邀请展 |
安徽美术馆 |
合肥 |
|
|
抽象2021夜与昼 |
艺博画廊 |
上海 |
|
|
铭心妙相-龙门石窟艺术对话特展 |
上海大学博物馆 |
上海 |
|
|
光风霁月 |
YOUNG美术馆 |
上海 |
|
|
非浪潮 |
沪申画廊 |
上海 |
|
2020 |
轻重 |
德玉堂画廊 |
上海 |
|
|
纸间回想 |
阿拉里奥画廊 |
上海 |
|
|
化 |
艺术门画廊 |
上海 |
|
|
致幻 |
明圆美术馆 |
上海 |
|
|
升墨 |
朱屺瞻美术馆 |
上海 |
|
2019 |
截屏 |
春美术馆 |
上海 |
|
|
抽象2020：冷与热 |
艺博画廊 |
上海 |
|
|
意象江南 |
苏州博物馆 |
苏州 |
|
|
|
刘海粟美术馆 |
上海 |
|
|
星象 五年—水墨当下与未来研究 |
刘海粟美术馆 |
上海 |
|
2018 |
未来脚本 |
艺术门 |
上海 |
|
|
墨非墨 |
贵州省美术馆 |
贵阳 |
|
|
三种对象：艺术创作的根源性构造 |
半张图艺术馆 |
上海 |
|
|
极中2018京沪当代艺术名家邀请展 |
库伯美术馆 |
上海 |
|
|
纸艺墨 |
十一美术馆 |
上海 |
|
2017 |
重写的平面 |
艺术门 |
上海 |
|
|
涂绘与书写 |
阿拉里奥画廊 |
上海 |
|
|
十年 |
偏锋新艺术空间 |
北京 |
|
|
形象之源 |
年代美术馆 |
温州 |
|
|
互渗互生 |
上海油画雕塑院 |
上海 |
|
2016 |
吴语-方言 |
中华艺术宫 |
上海 |
|
|
中国线—当代研究展 |
年代美术馆 |
温州 |
|
|
诗性的抽象绘画 |
偏锋新艺术空间 |
北京 |
|
|
|
|
|
|
2015 |
时空书写 |
上海当代艺术博物馆 |
上海 |
|
|
海上繁花 |
上海松江当代美术馆 |
上海 |
|
|
城市目光 |
云艺术中心 |
上海 |
|
2014 |
朴素 |
十一美术馆 |
上海 |
|
|
象界 |
红坊雕塑中心 |
上海 |
|
2013 |
上海绘画—三人展 |
James Cohan画廊 |
上海 |
|
2012 |
地平线 |
山梨县美术馆 |
山梨县 |
|
|
忆江南 |
泛华艺术中心 |
上海 |
|
|
当代上海 |
台北省立美术馆 |
台北 |
|
2011 |
道法自然 |
上海当代艺术馆 |
上海 |
|
|
海平面2011—抽象 |
上海油雕院 |
上海 |
|
|
新传统—上海当代艺术展 |
南山寺 |
京都 |
|
2010 |
一江春水 |
前波画廊 |
北京 |
|
|
|
The Collection |
林肯郡 |
|
|
空中的展览 |
A20高架塔式广告牌 |
上海 |
|
2009 |
宁静的溯求 |
一月当代 |
北京 |
|
|
重返现代 |
西湖美术馆 |
杭州 |
|
2008 |
艺术在中国 |
东京新洼美术馆 |
东京 |
|
|
上海当代艺术展 |
轻井沢现代美术馆， |
轻井沢 |
|
2007 |
漂浮——中国当代艺术展 |
韩国国立现代美术馆 |
首尔 |
|
|
中国版本—当代艺术展 |
今日美术馆 |
北京 |
|
|
线-中国抽象艺术展 |
苏河艺术 |
上海 |
|
2006 |
态度 |
华东师范大学 |
上海 |
|
|
上海抽象艺术大展 |
明圆艺术中心 |
上海 |
|
2005 |
异形与幻想 |
上海美术馆 |
上海 |
|
|
形而上2005黑与白 |
上海美术馆 |
上海 |
|
2004 |
龙族之梦 |
爱尔兰当代艺术馆 |
都柏林 |
|
|
异度空间 |
上海多伦现代美术馆 |
上海 |
|
2003 |
形而上2003抽象艺术展 |
上海美术馆 |
上海 |
|
|
不同的选择 |
半岛美术馆 |
上海 |
|
2002 |
东+西，中国当代艺术展 |
艺术家之家 |
维也纳 |
|
|
24∶30当代艺术展 |
BizArt |
上海 |
|
|
形而上——2002上海抽象艺术展 |
上海美术馆 |
上海 |
|
|
|
|
|
|
2001 |
形而上—2001上海抽象艺术展 |
上海美术馆 |
上海 |
|
|
上海--仁川交流展 |
上海美术馆 |
上海 |
|
2000 |
抽象变调二人展 |
BizArt |
上海 |
|
|
纸上作品展 |
易安画廊 |
上海 |
|
1999 |
中国46′当代艺术展 |
艺术无国界美术馆 |
墨尔本 |
|
|
三人混合材料作品与雕塑展 |
BizArt |
上海 |
|
1998 |
20+1中国当代艺术展 |
国际交流基金会馆 |
东京 |
|
1997 |
20+1中国当代艺术展 |
朱屺瞻艺术馆 |
上海 |
|
|
香港回归展 |
香港会展中心 |
香港 |
|
1996 |
20+1中国当代艺术展 |
上海美术馆 |
上海 |
|
1995 |
国际现代书法双年展 |
中国美术学院 |
杭州 |
|
1994 |
亚洲文化艺术会议展 |
希尔顿酒店 |
上海 |
|
1993 |
上海现代艺术展 |
|
横滨 |
|
1991 |
中国上海现代书法展 |
上海美术家画廊 |
上海 |
|
|
当代百名书法家碑刻展 |
洛阳石刻馆 |
洛阳 |
|
1986 |
第二届中青年书法家展 |
中国美术馆 |
北京 |
HUANG YUANQING
1963 Born in Shanghai
He currently lives in Shanghai
He graduated from Shanghai University of Science& Technology in 1985
1987 to 1989 studied at the Shanghai Normal University Fine Art
SOLO EXHIBITIONS
2018 Motives of Lines Pearl Lam Galleries Hong Kong
2017 Self Motivation Awart Space Shanghai
2016 Huang Yuangqing Gallery Albrecht Berlin Ink QingroTang Shanghai
2015 Solo Exhibition 203 Art Shanghai
2014 Folding Space Yibo Gallery Redtown Art Centre, Shanghai
2013 Huang Yuanqing Gallery Sanjyo Gion ,Kyoto
2012 Huang Yuanqing Gallery Albrecht, Berlin
2010 Xing Xiang, Zhang Jiang Contemporary Art Center, Shanghai
Huang Yuangqing Solo Exhibition, Galerie Albrecht, Berlin
2007 move closer，gallery of Bangkok University
2005 Huang Yuanqing Zhangjiang Contemporary Art Center
2003 Facade， Facade, BizArt, Shanghai,
2001 Gallery Goto, Tokyo, JapanSELECTED GROUP EXHIBITIONS
2019 Screen Capture Chun Art Museum Shanghai
2019 Retrospect The Calligraphy Tradition Shanghai Baoshan International Folk Art Exposition
2018 The Three Objects Half Image Shanghai Medialism Kubo Art Center Shanghai Dissipated Chun Art Museum Shanghai Paper Art Ink Shanghai ElievenArt Museum Shanghai
2017 Osmosis Symbiosis Shanghai Oil Painting & Sculpture Institute Shanghai Graffiti and Calligraphy: 6 Abstract Artist in china Arario Gallery Shanghai The Plane of Rewriting Pearl Lam Gallery Shanghai Non-objective Painting Around Space Shanghai
2016 Abstract China Ming Yuan Art Museum Shanghai Poetique Pifo Gallery Bei jing
2015 Calligraphic Time and Space: Abstract Art in China Power Station of Art, Shanghai
2014 Pusu 十一Art museum ,Shanghai
2013 Utopia Mingyuan Art Museum, Shanghai Paintings James Cohan Gallery, Shanghai
2012 Contemporary Art in Shanghai Taibei Art Museum, Taibei
Horizon Yamanashi Art Museum, Yamanashi The Way of Writing Zendai Himalayas Art Museum, Shanghai Shanghai Culture , Hong Fang Art Space
2011 Dao.Nature ,Shanghai contemporary art centre,shanghai
Horizon, Shanghai Oil Painting & sculpture institution,Shanghai
2011 Dao-Nature Contemporary Museum of Shanghai, Shanghai
2010 River Flows East, The Collection Art Archaeology in Lincolnshire, Lincolnshire, Chambers Fine Art, Beijing
Shanghai Modern ,CAI contemporary art Reach Institute ,Sapporo Works in air,Shanghai highway,Shanghai
2009 Quiet quest: Realism to Abstraction, Onemoon art, Beijing Back to Modern, Xihu art Museum, Hangzhou Quiet quest: Realism to Abstraction, Onemoon art, Beijing Fan Ceremony: Works on Paper, Fine Arts Literature Art Centre, Wuhan
2008 China Art Now, sinwa Art Center, Tokyo,Shanghai Contemporary Art,Kaluyisawa Art Centre,kaluyisawa
2007 Float-China Contemporary Art Exhibition, National Museum of Contemporary Art, Korea
2006 Abstract Art in Shanghai Mingyuan Art Centre, Shanghai
2005 Alien and Illusion, Shanghai Art Museum Metaphysics: Black and White Shanghai Art Museum
2004 Dreaming of Dragon Nation, Contemporary Art from China, Irish Museum of Modern Art, Dublin
2003 Metaphysics: Shanghai Abstract Art Exhibition, Shanghai Art Museum
2002 East-West: Chinese Contemporary Art, Artist’s House, Vienna, Austria The Wind From Shanghai, Shanghai Contemporary Art, Hamburg, Germany
2001 Metaphysics: Shanghai Abstract Art, Shanghai Art Museum, Shanghai
2000 Abstract Transitions BizArt, Shanghai
1999 China 46, Shanghai, PRC-Melbourne, Australia - & Taipei Taiwan
1998 Chinese Contemporary Art: Visionary Rhythm-20+1,The Japan Foundation Forum Tokyo, Japan
1997 Handover: Contemporary Artist Invitational Exhibition, Hong Kong
1996 Chinese Contemporary Art: Visionary Rhythm-20+1, Shanghai Art Museum, Shanghai
1995 International Biennial Exhibition of Modern Calligraphy, China Art University, Shanghai
1993 Shanghai Modern Art Exhibition, Yokohama, Japan
1991 China-Shanghai Modern Calligraphy Exhibition, Shanghai Art Museum, Shanghai
1990 Contemporary Calligraphists Invitational Exhibition, Jiangsu Province, Nanjing
1986 The Second China Calligraphy Exhibition, China National Museum, Beijing
本文来自微信公众号“Du Laboratory”（ID：du_laboratory）。大作社经授权转载，该文观点仅代表作者本人，大作社平台仅提供信息存储空间服务。
