尚贝里的历史中心揭幕QPARK RAVET

UNVEILING THE QPARK RAVET IN CHAMBÉRY’S HISTORIC CENTER

QPark Ravet位于法国尚贝里的历史中心，是一个弯曲的半透明体量，是由HéraultArnod Architectures与艺术家Krijn de Koning共同设计的一个新的499个停车位的停车场。这条街建于 19 世纪上半叶，两旁是拱廊，通向 12 世纪的地标萨沃伊公爵城堡，经过著名的大象喷泉。在城堡对面，街道的视角汇聚在Q-Park Ravet上，构成了风景秀丽的山脉背景。

Set as a curving and translucent volume in the historic center of Chambéry, France, the QPark Ravet is a new 499-space parking complex designed by Hérault Arnod Architectures, jointly with artist Krijn de Koning. The street, built in the first half of the 19th century and lined with arcades, leads to the Dukes of Savoy castle, a 12th-century landmark, passing by the famous Elephant Fountain. Opposite the castle, the perspective of the street converges on Q-Park Ravet, framing a scenic mountain backdrop.

考虑到历史背景，建筑师试图通过在街道城堡轴线上展示雕塑般的红色眺望台来平衡Ravet的纯粹功利主义品质。这个独特的体积是与艺术家合作想象的。

Considering the historical context, the architects sought to balance out the purely utilitarian quality of Ravet by featuring a sculptural red belvedere on the street-castle axis. This unique volume was imagined in collaboration with the artist.

具有柔和轮廓的半透明体积

A TRANSLUCENT VOLUME WITH SOFT OUTLINES

HéraultArnod Architectures的团队将QPark Ravet组织成三角形，圆角最大限度地减少了质量效应，并创造了光滑和消失的线条，使建筑看起来比实际更小。三角形末端的这些曲线也与相邻建筑物的圆角边缘相对应，进一步将新结构融入其环境。

The team at Hérault Arnod Architectures organized the QPark Ravet in a triangle, with rounded corners that minimize the mass effect and create sleek and vanishing lines to make the building appear smaller than it is. These curves at the end of the triangle also correspond with the neighboring buildings’ rounded edges — further blending the new structure into its context.

与这种“柔化”效果相辅相成的是半透明的立面，该立面拥有U形金属轮廓，从街道到顶层环绕着建筑物。在这些金属部分之间，玻璃条以车库内外可见的展示和讲述图案掩盖了内部。

Complementing that ‘softening’ effect is a translucent façade boasting a U-shaped metal profile that wraps around the building from street level to the top floor. Between these metallic sections, glass strips mask the interior in a show-and-tell pattern visible inside and outside the garage complex.

“外墙有50%是空的，所以停车场被认为不受消防法规的约束，它们覆盖在45°的垂直玻璃条中（60%的回收玻璃和搪瓷为乳白色）。空旷的空隙创造了城市的各种附加景观。白天，建筑物的功能得到充分展示。到了晚上，由于室内照明柔和地蚀刻了城市景观，人们的观念发生了变化，“这种做法解释说。

‘The facades are 50% empty, so the car park is considered exempt from fire regulations, and they are clad in vertical glass strips placed at 45° (60% recycled glass and enameled to be opalescent). The empty gaps create a variety of additional views of the city. By day, the functionality of the building is on full display. By night, perceptions change thanks to indoor lighting that softly etches the urban landscape,’ explains the practice.

三角形露台的内部是一个种植着灌木丛植被的花园——蕨类植物、长春花、枫树、绣球花等。朝南的露台拥有地中海型植被，有伞形松树、无花果树、薰衣草和草。

The interior of the triangular patio is a garden planted with undergrowth vegetation – ferns, periwinkles, maples, hydrangeas, and more. The facing south terrace features Mediterranean-type vegetation with umbrella pines, fig trees, lavender, and grasses.

丽城，一件风景优美的雕塑作品

THE BELVEDERE, A SCULPTURAL PIECE WITH SCENIC VISTAS

当HéraultArnod Architectures建立了功能层时，艺术家Krijn de Koning介入设计了QPark Ravet的雕塑方面。与主楼相连的醒目红色悬臂式观景台为建筑增添了公共和城市维度，提供了一种拥抱城市的新方式。可以通过二楼的外部楼梯进入，而无需通过停车场。从上面指向博瓦涅街，它提供了城市景观、河流、城堡和阿尔卑斯山的壮丽全景。

While Hérault Arnod Architectures established the functional layer, artist Krijn de Koning stepped in to devise a sculptural facet of QPark Ravet. Attached to the main building, the strikingly red and cantilevering belvedere lends a public and urban dimension to the building, enabling a new way to embrace the city. It can be accessed via an external staircase on the second floor without going through the parking garage. From above, pointing to the Rue de Boigne, it offers a majestic panorama of the urban landscape, the river, the castle, and the Alps.

“走下眺望台楼梯将您置于街道的轴线上，它的框架位于中间高度，以突出历史名城的独特视角。在另一个方向，街道视角以山脉背景和弯曲的半透明体量结束，停车场和在城市街道轴线上靠在它的雕塑眺望台相结合。建筑姿态基于弯曲、简约和半透明的停车场立面与正交和彩色雕塑般的空中酒吧之间的互补性。停车场和观景台的这种组合赋予了建筑独特的身份。正是本着这个想法，与Krijn de Koning建立了合作关系，“实践总结道。

‘Descending the belvedere staircase puts you on the axis of the street, and it is framed at mid-height to highlight a unique perspective of the historic city. In the other direction, the street perspective ends with the mountain background and the curved, translucent volumes combination of the car park and the sculptural belvedere that leans against it in the axis of the city street. The architectural gesture is based on the complementarity between the curved, minimal, and translucent car park façades and the sculptural sky bar, orthogonal and colored. This assembly of the car park and the belvedere gives the building its unique identity. It was in line with this idea that the collaboration with Krijn de Koning was established,’ concludes the practice.