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卡洛·斯卡帕
Carlo Scarpa (1906-1978) is an absolute palace figure in The Italian architecture circle, and The Persistence of The Italian people to beauty is almost harsh. The design style of the Chinese has become a tradition, which has become the culture of the country.
布里翁墓园位于威尼斯,是卡洛·斯卡帕设计理念集大成之作,也是他最受尊崇的作品。在布里翁墓园,他用“双环”联结一对夫妻生命的尽头,用爱代替死亡传递至访者心中。“在布里翁墓园,你会感到真正的生命力。”
The Brion Cemetery in Venice is the culmination of Carlo Scarpa's ideas and is his most revered work. In the Burryon Cemetery, he used the "double ring" to connect a couple to the end of their lives, conveying love instead of death to the hearts of visitors. "In Brion Cemetery, you feel truly alive."
对历史建筑物的修复和扩建都是对建筑物情感的填充,倾注了他全部的智慧和心血。新与旧既非笨拙的模仿,也不是张扬的划清界限,而是充满了生命力的延续。
许多人都好奇,这个内容如此丰富的图像元素背后究竟有何象征意义。一条简洁、清晰的线条表达着深刻的含义,因为在这两个圆环中间形成了第三个尖锐的造型。这里引用了基督教图像学中通常环绕在基督像周围的“神圣的尖椭圆形灵光”
Many people wonder what symbolism is behind such a rich graphic element. A simple, clear line carries a profound meaning, as a third sharp shape is formed between the two rings. This is a reference to the "pointed oval divine light" that usually surrounds the Christ figure in Christian iconography
卡洛·斯卡帕对建筑局部与整体的观念充满了哲学的意味,建筑并非纯粹抽象的空间,而是不同元素间的关系,墙、地面、天花、楼梯、门,甚至自然。
Carlo Scarpa's concept of the part and the whole of architecture is full of philosophical meaning. Architecture is not a pure abstract space, but the relationship between different elements, such as walls, floors, ceilings, stairs, doors, and even nature.
坟墓是为埋葬在地下的人而建的纪念碑,但它们也可以成为人们反思的地方。在一个朝向多洛米特山麓的偏僻村庄墓地里,卡洛·斯卡帕(Carlo Scarpa)设计了一座充满诗意的墓园,它与所有进入其中的人都进行着无声的交流。
Graves are monuments to those buried in the ground, but they can also be places of reflection. In a remote village cemetery facing the foothills of the Dolomet mountains, Carlo Scarpa has designed a poetic cemetery that communicates silently with all who enter it.
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