却是即目
Beyond the Range of Vision
2023.3.18-2023.4.24
开幕式：2023年3月18日（周六） 16:00
Opening Time : 2023.3.18 (Sat.) 16:00
策展人：冯博一
Curator: FENG Boyi
艺术家：黄立言 李易纹 马文婷 王远铮 张文朝
Artists: HUANG Liyan, LI Yiwen, MA Wenting,
WANG Yuanzheng, ZHANG Wenzheng
白盒子艺术馆
Whitebox Art Center
“从本质上看来，世界图像并非意指关于世界的图像，而是指世界被把握为图像了。”——马丁·海德格尔，《世界图像时代》（1938）
“Hence world picture, when understood essentially, does not mean a picture of the world but the world conceived and grasped as picture.” —Martin Heidegger（The Age of the World Picture, 1938）
黄立言 《无聊的无政府主义者》 布面油画 215x175cm 2017年
HUANG Liyan, Boring Anarchist, Oil on canvas, 215x175cm, 2017
“即目”引自唐代李商隐的诗作，指涉的是当下的目光所及，即目即事，皆为实境。但这个实境并非实景，而是强调绘画创作返还到现实的境遇。
"Ji mu" is quoted from LI Shangyin's poems in the Tang Dynasty, which refers to what the eyes can see, that is, what the eyes can see is the entire reality. This reality though is not the real scene but a situation that emphasizes the return of painting creation to reality.
李易纹《徒劳的力量-2》 布面丙烯 Φ80cm 2015年
LI Yiwen, Vain Power-2, Acrylic on canvas, Φ80cm 2015
在世界变化与疫情影响的不确定性中，注重虚构与日常经验的有机联系及转化，并通过具体琐碎的叙事，提纯出个人的认知，以及在绘画中营造人与物、人与景之间微妙的关系。
In the uncertain vicissitudes of this world and the impact of the epidemic, we pay attention to the organic connection and transformation between fiction and daily experience, generate personal cognition through trivial narration, and create the subtle relationship between human beings, objects, and scenery in painting.
马文婷《坏东西 No.10》 布面油画 90x90cm 2021年
MA Wenting, Bad stuff No.10, Oil on canvas, 90x90cm 2021
其实验性在于对叙事的重构和其人其境的可想，包含情因境生的切实而不虚，朴实而不华，扎实而不飘的绘画艺术的品格。其中景观的题材，日常的叙事，又不失荒诞、幽默与自嘲的融合。
The experimentation lies in the reconstruction of the narrative and one’s ability to imagine the people and their situations they are in, containing their expression of emotions under a certain circumstance featuring practicality and simplicity, as well as the solid character of the art of painting. The subjects of the landscapes and everyday narratives are, at the same time, absurd, humorous and self-deprecating.
王远铮《等待》 布面油画 150x200cm 2015-2018年
WANG Yuanzheng, Waiting, Oil on canvas, 150x200cm 2015-2018
而每日带有强迫症似的手工劳作，反映出他们对绘画粘性和质感的迷恋。他们的绘画艺术更象是他们生存的手迹，视觉文本已经深深地刻下了他们各自不同创作的烙印与标识。
The seemingly compulsive daily manual work reflects artists fascination with the stickiness and texture of painting. Their paintings are more like the handwriting of their existence, and the visual texts have been deeply engraved with the marks and logos of their creations.
张文朝《纪念的纪念》 布面油画 100x115cm 2022年
ZHANG Wenzhao, Commemoration of Commemoration, Oil on canvas, 100x115cm 2022
展览《却是即目》，于2023年3月18日至4月24日在北京798艺术区白盒子艺术馆展览。通过本次展览，探究他们对人类社会的认知与觉知。
The exhibition " Beyond the Range of Vision " is on view from Mar 18 - Apr 24, 2023. Through this exhibition, explore their knowledge and awareness of human society.
本文来自微信公众号“白盒子艺术馆”（ID：whitebox798798）。大作社经授权转载，该文观点仅代表作者本人，大作社平台仅提供信息存储空间服务。
