Ruprecht Dreher
hallen.1996
然而，他们正在接近设计对象，因为一旦找到形式，现在就可以复制它……设计对象不仅由于其可识别性而作为所有者的区别手段，而且简单由于它的存在。
这也适用于艺术作品，但它遵循不同的逻辑。 就艺术作品而言，艺术自主性是第一位的，它恰恰是关于艺术对象的无用性，因为它服务于更高的理想……。 美国艺术家安德里亚·弗雷泽曾说过，这种自主形式的自由往往只是艺术家自我开发的基础。
"Reminder", 120x80 cm, acrylic paint, various fabrics, canvas, 2018
"Losing the Same", 170x110 cm, acrylic paint, various fabrics. Canvas,2018
History of Doing，260x295cm，2019
"Bunch of Colors", 54x54x5 cm,Acryl, Plexi, Holz，2019
"Color Window Il", 52x52x9.5 cm, acrylic, wood, Plexi2019
MALVEA ALCEA
Sigmarskraut
We are nothings before the color that changes... before the plant (the sigmar herb): what is clear it mistrusts, what arouses mistrust it trusts, what is beautiful it defaces, what defaces it coddles, what coddles it questions, what questions it ironizes it, irony makes allergic, what allergic it allegorizes, what allegory it dissolves, what dissolves, what it wants to hold on to, what is held on, it interprets, what interprets, it suspects, what is suspected, that it abhors, what despicable it demeans, what demeans it exalts, what exalts it banalizes, what banal transcends it, what transcendent it accepts, what accepts it subverts, what subverts it marbles, what marbles it pyramidizes, what pyramidizes , it flattens, what flattens, raises it, what it raises is rainbow, what is rainbow, it wants what it wants, but you can't but does it, what it does is hide, what is hidden, is open, what open, is vulnerable, w as vulnerable, calls for formulation, what is formulated, it doesn't like, what it doesn't like, are definitions, what is fixed is not colored, what is not colored is not its world, does not exist, what does not exist, it fascinates, what fascinates it is only revealed in encrypted form, what is encrypted is an image...
"Eutopia", 50x50 cm, acrylic paint, canvas, 2020
Villagio 50x40 acrylic,2020
'Tile' 30x30cm, acrylic, cloth,2022
Ruprecht Dreher (*1951 in Grünstadt/Pfalz) studied with Joseph Beuys at the Düsseldorf Academy from 1971 to 1978. He has lived and worked in Berlin since 1978. Since 1987 he has exhibited in Düsseldorf, Cologne, Berlin, Leipzig, as well as in Milan, Budapest, Paris, San Francisco, New York, Basel and Venice.
His main artistic work is dedicated to abstract painting, with color and its materiality in the foreground. He examines their development on the basis, form and body, as physical force and in their objectness. His works are based on a dialogic/dialectical form; Reciprocal, opposite things are evoked and determined: in front of/behind; old New; positive/negative; dull/shiny. The surface becomes the topography. His works are sometimes interpreted as depiction-abstract (but at the same time material-concrete) narration.
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