"Zhejiang Paper Industry" records:"When discussing paper, we must discuss Fuyang paper".
造纸术，作为我国古代四大发明之一，其历史地位不言而喻。说起造纸，就不得不提到富阳。富春江畔的造纸技艺可追溯到南宋，泗洲造纸遗址更是中国现已发现年代最早、规模最大、工艺流程最全的古代造纸遗址。“造纸之乡”四字伴随富阳趟过了漫漫历史长河。
Papermaking, as one of the four great inventions in ancient my country, its historical status is self-evident. When it comes to papermaking, we have to mention Fuyang. The papermaking skills along the Fuchun River can be traced back to the Southern Song Dynasty, and the Sizhou Papermaking Site is the earliest, largest, and most complete ancient papermaking site in China. The words "Hometown of Papermaking" have accompanied Fuyang through a long history.
Xinshengda Group is located on the bank of Fuchun River, the base of whiteboard paper in China. The space design takes "paper folds" as clues, integrates architectural techniques into the interior, and creates a space like "white paper" with simplicity and purity.On the basis of satisfying the use, the complex and excessive decoration is abandoned, so that the space can reach the ultimate state, and at the same time convey the attitude and pursuit of environmental protection design.
纸，是有着无穷魅力的材料，是可变换造型的艺术。它唤醒着人类情感上对自然、原始状态的憧憬。以纸为媒，从二维到三维，将万物的线条赋予个体生命灵性。纸的褶皱，为设计带来诸多灵感的迸发，空间也正如无限变化的纸间褶皱，每一处都在不断探索无限可能。
“净”与“静”
"Clean" and "Quiet"
愈简约，愈能看出事物本身的本相。
通过“白”，来体现空间的“净”与“静”，缓缓叙述“历经时间变迁的自然故事，展现出最本真的原始状态”。期望引导每一位来访者，进入此空间中，在无干扰的状态下，逐渐抛去疲惫和负担，不断求索，最终回归到自我的“初心”。
—— Kazuo Inamori
The ultimate point of space design is that it is sparse but not empty, full but not overflowing, and a square inch of land can show the width of the world. With minimalism as the keynote, a large area of openness, space, light and materials are all of the design. Although it is white, it is not empty.
Light is the soul of architecture, and architecture is a container for capturing light. The complex buildings outside the windows are blocked, excessive sunlight is filtered, and natural light suitable for receiving guests is formed.The pure white gives the space a strong sense of extension. Natural light penetrates the glass and flows freely in the space. The formed geometric light spots echo the interlaced lines of the structure, giving new life.
在褶皱之间
Between the folds
Where there is nothing, between the virtual and the real, can the infinite meaning be fully displayed. It is contemporary and timeless. Elegant but not exaggerated, simple and soulful, achieving a perfect balance between virtual and real.
富有弹性的结构搭配，也是摒弃生活的繁琐冗杂。使空间愈发平和，保持一种更加松弛平静的状态，蕴藏无限新的可能。减少冗余的装饰，选择纸张褶皱的元素来丰富空间。用极简的设计语言，引发深思，在极致的纯粹中凸显而出，透露一种向上的艺术力量。
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