反反复复
钟鼐2022纸上作品
Repeatedly . 2022 Zhongnai works onpaper
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艺术创作中不断的重复是艺术家主观创作意识不断增强并提升的过程, 它给于思维一种相对的自我封闭的连续性,使艺术家浸入一种冥想模式,而这种思维的连续性和不间断性也是艺术家创作过程中所需要的,使他们不受外界因素的干预和干扰。
钟鼐最近三个月在荷兰梅佩尔艺术博物馆创作的纸上作品就充分的显示出这一特征,正如艺术家本人所说: “我更多的时候是感觉到迷茫和不清晰,尝试突破的同时我也对任何出现的让我欣喜或在经验范围内的形式和效果都保持一定的警惕性,因为那很可能将我引入一种满足视觉感官的状态中,或者带入对材料和技巧的偏执,甚至可以在任何不经意的瞬间把我带回到过去,也正因如此,我不断地重复,期望在这个过程里得到某种提示, 犹如在无望之境寻找希望 ......
The constant repetition in artistic creation is a process in which the artist's subjective creative consciousness is continuously enhanced and improved. It gives the thinking an relatively self-enclosed continuity and makes the artist immerse in a meditation mode, and the continuous and uninterrupted thinking is also what the artist needs in the creative process, so that keeps the artists are not interfered and disturbed by external factors.
Zhong Nai’s paper works which created in the StedelijkMuseum Meppel in the Netherlands are fully demonstrate this feature, as the artist himself said: "I feel confused and unclear more often, I do vigilant enough to those forms and effects that come out to my delight or within the bounds of experience , because that is likely to lead me into a state that satisfies the visual senses, or leads me into paranoia about materials and techniques, or even It could takes me back to the past at any inadvertent moment, and because of this, I have to constantly search for a breakthrough point in the repetition, hoping to get some kind of hint in the process, just like looking for hope in unexpected ......
Stedelijk Museum Meppel #70
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #70,纸 丙烯,2022
Stedelijk Museum Meppel #105 #106
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #105 #106,纸 丙烯,2022
Stedelijk Museum Meppel #107
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #107,纸 丙烯,2022
Stedelijk Museum Meppel #35
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #35,纸 丙烯,2022
Stedelijk Museum Meppel #37
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #37,纸 丙烯,2022
Stedelijk Museum Meppel #85 #86
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #85 #86,纸 丙烯,2022
Stedelijk Museum Meppel #75
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #75,纸 丙烯,2022
Stedelijk Museum Meppel #76
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #76,纸 丙烯,2022
Stedelijk Museum Meppel #87
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #87,纸 丙烯,2022
Stedelijk Museum Meppel #88
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #88,纸 丙烯,2022
Stedelijk Museum Meppel #48 #49
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #48 #49,纸 丙烯,2022
Stedelijk Museum Meppel #32
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #32,纸 丙烯,2022
Stedelijk Museum Meppel #33
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #33,纸 丙烯,2022
Stedelijk Museum Meppel #108
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #108,纸 丙烯,2022
Stedelijk Museum Meppel #89
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #89,纸 丙烯,2022
Stedelijk Museum Meppel #156
paper and acrylic , 2022
梅佩尔博物馆驻地作品 #156,纸 丙烯,2022
钟鼐个展《Zhongnai aan het werk》于2022年9月25号在荷兰梅佩尔艺术博物馆结束, 此次为其三个月的展览更是一次由艺术家介入的现场创作过程, 对于创作进入阶段性瓶颈状态的钟鼐来说这三个月的驻馆创作无疑一个新的尝试和挑战也是一个寻找突破的节点。
Zhongnai's solo exhibition "Zhongnai aan het werk" was ended on September 25, 2022 at the Stedelijk Museum Mepel in Netherlands. This three-month exhibition and artist resident creation process is undoubtedly a new attempt and challenge, and for Zhongnai it is also a node to find a breakthrough to walk out of a bottleneck state of his working condition.
钟鼐荷兰梅佩尔博物馆驻馆创作现场 2022
Stedelijk Museum Meppel resident creation site
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Du/Laboratory是一个综合性的试验平台,涉及的创作媒介跨越当代艺术的各个层面,对四处空降的国际化当代艺术潮流保持一种警惕性,同时致力于艺术家自身系统的充分、深入挖掘,持续关注徘徊在艺术和非艺术边缘“中间状态”的实践。
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