『绘画艺术中的理性与情感』，是Du/laboratory以主题性策划发布的一个推送。此次我们邀请艺术家分享他们的艺术实践。Du/laboratory后续会发布不同主题性推荐。

"Rationality and Emotion in Painting" is an article planned and published by Du/laboratory. This time we invite artists to share their artistic practice. Du/laboratory will release different themed recommendations in the future.

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刘可

LIU KE

｜

1976年出生于湖南宁乡

2003年研究生毕业于广州美术学院油画系/广州中国

广州美术学院绘画艺术学院副院长/油画系主任教授

华侨城盒子美术馆执行馆长

广东油画艺术委员会秘书长

现工作生活于广州

刘可的艺术活动虽然庞杂，但大致还可以分为三类，即绘画、装置和公共艺术。这三类艺术有一个时间的顺序，绘画为先，主要在早期，后来也有绘画，但不是早期的形式，而是观念化的倾向。中间是装置，装置很难定义，雕塑、平面和综合材料都可能，很难想象，他怎么能搞这么多名堂。最后是公共艺术，公共艺术和装置有一个衔接，一个扩大的公共空间，公开的或隐密的社会介入。

Although Liu Ke's artistic activities are enormous, they canbe broadly divided into three categories: painting, installation and public art. And there is a chronological order in these three kinds of art. Painting comes first. As time passes by, it shows his tendency towards conceptual art. The second stage is his installations. It is quite difficult to define installations - they can be either sculptures, two-dimensional works or mixed-media works. We can hardly imagine how he has possibly done so many different things. The last is public art. There is a connection between public art and installation, both involving an expanding public space, and social interventionswhich are neither open or private.

迭奏山之一 Mountain of Rhythm No.1 200×200 cm

布面综合材料 Mixed media on canvas 2022

战争动物2 War animals No.2 .80×90cm

布面综合材料 Mixed media on canvas 2022

窥探飞天（左） Peek onto Flying Apsaras（left）

120.5×90cm

布面综合材料 Mixed media on canvas 2022

对刘可来说，这是艺术形态、观念和媒材的演变，既是一个艺术成长的过程，也是精神指向的过程，后者更为重要。从一开始，他就不是关注艺术的表象，形式对他意味着精神的构成，不只是感性的力量，而是一个形而上的空间。他必然从具象走向抽象，具象会限制他的思考，而在抽象的符号之间，可以感受到思想的游走。他活跃的、不安分的思想不是漂浮的，而是焦虑的，纠结的，他是要在艺术的重山中等待走出重山的天启。

This is Liu Ke’s evolution of artistic forms, concepts and media, which is not only a process of growth, but also a process of spiritual orientation. He was not interested in the appearance of art from the very beginning, as for him forms means the construal spirits, exceedingthe perceptual power, while creatinga metaphysical space. He is bound to move from figurations to abstractions. Figurationswill only trap his mind, while he can feel the free wandering of thoughts in abstract symbols. Deep down, his active and restless thoughts are not lightsome, but anxious and tangled. As his demands of walking out from the apocalypse of art.

我们从哪里来 Where Do We Come From.210×180 cm

布面综合材料 Mixed media acrylic 2022

杜尚的漩涡 Stream of Dunchamp .130×110cm

Mixed media on canvas. 2021年

我的心即旋涡 My heart is stream（黑色版）

495×425cm×h33cm、96cm×132cm

装置.钢板.铜版喷漆Steel plate, copperplate spray paint,Installation. 2021

装置是一个模糊的概念，刘可把它扩展到一个漫长的时间和巨大的空间，用它来思考历史、现在和未来，历史虽然远去，但历史的阴影仍然笼罩着我们，它与现实重叠，要摆脱历史的重负，是将它碎解还是重构，不是历史的使命，而是自我的选择，虽然工程浩大，仍然是他思考的结晶。刘可不会给出一个答案，但我们可以看出他的焦虑，艺术将走向何方，文化将走向何方。他有一个设想，但我们猜不透。作为社会的介入，他是将艺术的个体置于社会交往之中。既像艺术从隐秘的角落偷窥社会，又像社会将艺术揪出私密的空间，更有可能，他在测量艺术于社会的温度，在一个后工业和高智能的时代，艺术于社会的作用和功能。

As mentioned previously, the concept of installations is vague. Liu Ke extendsits limits in time and space, and releases his thoughts about history, present and future. Although history is a spectre continuing to envelop us. It overlaps with reality. To get rid of the heavy burden of history, is not the mission of history itself, but the choices of ourselves. Although his project is huge, he is still working on it. Even Liu does not provide us witha solid answer, his anxiety is revealedon where the art and civilizations will go. He hasa proposal, which cannot be figured out. As the a way of social intervention, he places his artistic individual among social communications. It is more likely that he is measuring the temperature of art in society. In this postindustrial and highly intelligent era, testing the role and function of art in society.

“穿越”意味着门类、时空之间的自由移动，刘可的穿越在于他的创造性思维，他质疑现存事物的合法性，探究表象后面的真实，挑战自身创造的极限，以个人艺术的小天地，折射了当代艺术发展的大势。

——易英

"Crossover" means the free movement among categories, time and space. Liu Ke's crossing lies in his creative thinking. He questions the legitimacy of existingbeings, explores the truth behind the appearance, challenges the limits of his own creation, and reflects the general trends of contemporary art development through the lens of his individualartistic creations.

Yi Ying

两滴 Two drops. 210×180cm

布面综合材料 Mixed media on canvas. 2021年

黑色出去蓝色进来之三 Black Goes Out Blue Comes In No.3

135×135cm

布面综合材料 Mixed media on canvas

2020年

热带沙滩酒店 Tropical Beach Hotel.95×110cm

布面综合材料Mixed media on canvas.2019年

通道——双人 Accesses-Double. 135×135 cm

布面综合材料 Mixed media on canvas. 2019

寂静的瀑布之三 Silent fall No.3. 190×210cm

布面综合材料 Mixed media on canvas. 2017年

热带雨林之一 Tropical Rainforest No.1. 165×180cm

布面综合材料 Mixed media on canvas. 2016年

刘可

个展：

2022年，“无题问题——刘可”，腾挪空间（广州），广州；

2021年，“我的心即漩涡——刘可作品展”，壹美美术馆，北京；

2021年，“每一天都是最后一天，每一天都是第一天”刘可个展，K空间，成都，中国

2019年，“原乡的抽象与具像：刘可艺术展”，慕尼黑国家工作室展廊，慕尼黑，德国

2019年，“通道：刘可个展”广州美术学院美术馆，广州，中国

2019年，“原乡•时间轴：刘可作品”，肯普滕美术馆，肯普滕，德国

2018年，“圣维克多山，刘可”蜂巢（深圳）当代艺术中心，深圳，中国

2015年，“蔚蓝之上的聆听”刘可个展，蜂巢当代艺术中心，北京，中国

2014年，“象外造”刘可个展，极空间，广州，中国

2013年，“条控”刘可个展，空间站，北京，中国

2011年，“困局”刘可作品展，广州美术学院美术馆，广州，中国

2008年，“听狼”刘可作品展，Pretty Land Gallery，法兰克福，德国

群展：

2022年，“踪迹与在场——当代艺术邀请展”，悦来美术馆，重庆

2021年，“折叠Folding：关根伸夫、刘可、吴杉、闫博”站台中国，北京

2021年，“腾挪进行时 SABAKI-ING”，三域·汇艺术空间，广州

2020年，“珠三角当代——单元三：空白存在中的魔幻世界”，牛房仓库，澳门，中国

2020年，“聚变的日常”，成都K空间，成都，中国

2019年，“第十三届全国美展进京作品展”，中国美术馆，北京，中国

2019年, “天桥交叉的经验”，武汉美术馆，武汉，中国

2019年,“风格派及未来——中欧当代抽象艺术家联展”，合美术馆，武汉，中国

2018年，“抽象+Abstract plus-抽象绘画在中国的新的可能性”，原美术馆，重庆，中国

2018，“第六届广州三年展——华侨城盒子美术馆分展场公共艺术部分：共生未来”，华侨城盒子美术馆，顺德，中国

2017年，“其命惟新——广东美术百年大展·广东站” ，广东美术馆，广州，中国

2017年，“深圳工业站”2017深港城市/建筑双城双年展罗湖分会场，深圳工业站，深圳，中国

2017年，“趴刻”，广州华艺廊&都柏林科林画廊，广州&香港，中国

2016年，“腾挪——一所民宅艺术机构的自治之维”，盒子艺术空间，深圳，中国

2015年，“秩序的边界：抽象绘画的中国途径”，蜂巢当代艺术中心，北京，中国

2014年，“积极空间”，时代美术馆，广州，中国

2013年，Reflective Nature # a new primary enchanting sensitivity，第55届威尼斯双年展肯尼亚国家馆，威尼斯，意大利

2013年，第三届重庆美术双年展“都市幻象”，重庆美术馆，重庆，中国

2012年，“最绘画——中国青年油画展”，中国美术馆，北京，中国

2011年，“冷血——当代艺术展”，龙艺榜画廊，北京，中国

2010年，“睬你都傻——当代艺术在广东”艺术展，53美术馆，

广州，中国

2009年，中泰艺术交流展，泰国艺术大学美术馆，曼谷，泰国

2008年，“超以象外”——中国抽象绘画艺术展，澳门艺术博物馆，澳门，中国

2007年，“玻璃”中国当代抽象艺术邀请展，K画廊，成都，中国

2006年，“转移——从昌岗路出发”当代艺术展，广东美术馆时代分馆，广州，中国

2005年，“逢简行动”艺术展（第2届广州当代艺术三年展之自我组织）广东美术馆，广州，中国

2003年，“转向”2003《当代美术家》首届年度邀请展，重庆美术馆，重庆，中国

2003年，第三届中国油画大展，中国美术馆，北京，中国

Liu Ke

1976,Born in Ning xiang of Hunan Province of china

2003,Graduated as a master from Guangzhou Academy of Fine Arts,

Deputy Director Of School of Painting Art ,Guangzhou Academy Of Fine Arts

Dean & Associate Professor of Oil Painting Department Of GAFA

Executive Director of OCT Boxes Art Museum,

General secretaryof Guangdong Oil Painting Art Committee ,

Lives and works in Guangzhou.

Solo:

2022，THE PROBLEM OF UNTITLED-Liu Ke,SabakiSpace,Guangzhou,China

2021，MY HEART IS STREAM–Liu Ke solo exhibition,One Art Museum，Beijing, China

2021，EVERY DAY IS THE LAST DAY; EVERY DAY IS THE FIRST DAY，Solo Exhibition of Liu Ke，

K Gallery，Chendu,China

2019，HEIMAT IN ABSTRACTION & FIGURATION: Works of Liu Ke，DOMAGKATELIERS (Municipal Studio House Domagkpark,Halle 50), Munich,Germany

2019,Object Liberty：Solo Exhibition of Liu Ke,Art Museum of Guangzhou Academy of Fine Arts,Guangzhou,China

2019,TIMELINE OF HOMELAND: Works of Liu Ke,Kunsthalle Kempten, Kempten，Germany

2018,Montagne Sainte-Victoire,Hive Center for Contempory Art,Shenzhen,China

2015,listen above the blue–Liu Ke solo exhibition, Honeycomb Center for Contemporary Art，Beijing, China

2014,Greation outside images–Liu Ke solo exhibition,Ace Station, Guangzhou, China

2013,Streaks–Liu Ke solo exhibition, Space Station, Beijing, China

2010,Dilemma–Liu Ke solo exhibition ,Art Museum of Guangzhou Academy of fine arts, Guangzhou, China

2008,Listen to Wolf –Liu Ke solo exhibition, Pretty Land Gallery, Frankfurt,German

Exhibition

2022,”Trace and Presence-Contemporary Art Invitational Exhibition”，YUELAI Art Museum, Chongqing, China

2021,FOLDING：Sekine Nobuo .Liu Ke. Wu Shan.Yan Bo,Platform China,Beijing

2021，SABAKI-ING,Trealm Hui Art Space,Guangzhou,China

2020，Uncertainties: PRD Post-pandemic Contemporary Art Exhibition，Ox Warehouse，

Macao,China

2020，Fusion scene，K GALLERY,Chengdu,China

2019,The 13^th National Exhibition of Fine Arts, National Art Museum of China,Beijin,China

2019,Crossover-The experience of intersection,Wuhan Art Museum,Wuhan,China

2019,DE STIJL AND THE FUTURE-Between China and Europe,United art museum,Wuhan,China

2018,Abstract Plus–The new possibilities of abstract painting in China,Essence Contempory Art Museum,Chongqin,China

2018,The 6th Guangzhou Triennial - Branch Venue Public Art Project，Symbiosis-Future, Shunde, Chine

2017, "Reform Mission – A Century of Guangdong Art Exhibition, Guangdong Station", Guangdong Art Museum, Guangzhou, China

2017,Shenzhen Industrial Station 2017 BI–CITY Biennale of Urbanism\Architecture(Shenzhen) Luohu Sub-Venue,Shenzhen,China

2017,PARK,Holly'sGallery & KerlinGallery,Guangzhou &Hongkong,China

2016,Sabaki–The Autonomous Dimension of a Private Housing Art Institution,Boxes Art space,Shenzheng,China

2015, The boundary of the order: abstract painting way in China,Honeycomb Center for Contemporary Art，Beijing, China

2014, Optimism space,times museum Guangzhou, China

2013, Reflective Nature # a new primary enchanting sensitivity, 55th Venice biennale Participating countries, Venice ,Italy

2013,Urban Phantom ,3th Chongqing Youth Art Biennale, Chongqing,China

2012,Most painting–China Youth Oil Painting Exhibition,National Art Museum of China,Beijin,China

2011,Cold-blooded –Contemporary Art Exhibition, Beijing Amelie Gallery,BeiJing,China

2010,Care less silly - Contemporary Art in The Guangdong”Art Exhibition,Guangzhou, 53 Art Museum, Guangzhou, China

2009,Artistic Communication between China and Thailand,modern art gallery of Thailand, Bangkok,Thailand

2008,Painting & Sculputuer Beyond the Surface–Works of Chinese Abstract Art Exhibition ,Macao Museum of Art, Macao, China

2007,Glass — The invitation of Chinese Contemporary Abstract Art Exhibition,K-Gallery, Chengdu,China

2006,Shifting From Changgang Road — Contemporary Art Exhibition, Times Museum Guangdong Art Museum, Guangzhou, China

2005,Fengjian Action Art Show (The 2nd Session of Guangzhou Contemporary Art Triennium Exhibition—Self-organization), Guangdong Art Museum, Guangzhou, China

2003,Turnaround ——The 1st session ofContemporary ArtistAnnual Invitational Exhibition, Chongqing Art Museum, Chongqing, China

2003,The 3rd session of China Oil Painting Exhibition,China Art Museum,Beijing, China

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