『绘画艺术中的理性与情感』，是Du/laboratory以主题性策划发布的一个推送。此次我们邀请艺术家分享他们的艺术实践。Du/laboratory后续会发布不同主题性推荐。

"Rationality and Emotion in Painting" is an article planned and published by Du/laboratory. This time we invite artists to share their artistic practice. Du/laboratory will release different themed recommendations in the future.

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简单可能隐藏复杂，阳刚之气可能掩盖温柔。

Simplicity might hide complexity, masculinity might mask tenderness.

阿莲娜·奥拉绣

Alena Olasyuk

Alena Alena Olasyuk 是一位乌克兰艺术家，在北京生活了 12 年，现居维也纳。她在北京服装学院学习并获得艺术和媒体学位后开始了她的中国职业生涯。所表达的根本佛教思想是她的艺术语言，其特点是那些细密而重复的线条，向观众传达了一种冥想的感觉。被中国水墨的微妙质感所吸引，她煞费苦心地创造出这些准确而合乎逻辑的模式探索，在二元之间的潜力中反映了一种普遍的同理心：复杂与简单；抽象与表示；宁静与干扰。 “介于两者之间”的感觉支撑着她的艺术之旅，并推动她在世界上找到平衡。正如她曾经说过的，“我的意图是让观众有一种凝视远方的感觉，看海看山”，她的作品让我们在转瞬即逝的瞬间寻找无限可能。

Alena Olasyuk is an Ukraine artist who lived in Beijing for 12 years and now based in Vienna.

She started her career in China after studying at the Beijing Institute of Fashion Technology and gained her degrees in arts and media. The underlying Buddhist ideas expressed through are her artistic language which is characterized by those fine and repetitive lines that convey a meditative feeling to the viewer. Attracted by the subtle texture of Chinese ink, she painstakingly creates these accurate and logical patterns exploration in the potential between dualities reflect a universal empathy: complexity versus simplicity; abstraction versus representation; tranquility versus disturbance. The sense of “in between” underpins her artistic journey and pushes her to find the balance in the world. As she once said, “I had an intention to bring the feeling as if the viewer gazes into the distance, watching the sea or the mountains,” her works allow us to search for the infinite possibilities in the ephemeral moment.

Controlled / Uncontrolled studies, Chinese ink on paper, 2021

我尝试线条、图案、纹理、墨水、控制和放手的过程，我的艺术变成了一种研究形式。研究«In-Between»空间的视觉效果，同时通过它分析自己。这是我的冥想方式。

Experimenting with lines, patterns, texture, ink, process of control and letting go, my art becomes a form of research. Research of the visual for «In-Between» space, while analyzing myself through it. This is my way of meditating.

‘Research of accident imperfection 3’ 31x31cm, Chinese ink on paper, 2022

‘Research of accident imperfection 1’ 31x31cm, Chinese ink on paper, 2022

两者之间的空间是我想要探索的空间。介于传统与现代、黑白、控制与偶然、复杂与简单、刚柔相济。在视觉上，我喜欢找到这个空间，让我的作品可以保持非常简单而不乏味；复杂但不过度情绪化。在创作每一件作品时，我总是想知道我还能用媒介和美学做些什么，以及我的想法何时会结束。但有时，为了测试我的感官和视觉，看看某些元素是否有那种“在中间”的感觉，我允许自己越过界限，走向复杂或简单的极端。

That space in between is the one I want to explore.What lies between traditional and contemporary, between black and white, control and accidental, between complex and simple, and between hardness and softness. Visually, I like to find this space where my works can stay very simple but not dull; complex but not over-emotional. While creating each piece, I always wonder what else I can do with the medium and the aesthetics, and when my ideas will reach the end. But sometimes, I allow myself to cross the line and go to the extreme of complexity or simplicity for the sake of testing my senses and vision and seeing if certain elements have that «In-Between» feeling.

‘How I Fell’ 124x93cm, Chinese ink on paper, 2022

‘landscape research 8’ 31x31cm, Chinese ink on paper, 2022

数百条由重复产生的线条唤起了一种共鸣的振动感。尽管这些模式是有意识的决定，但内部自我重复的概念超越了作品本身。艺术家创作的艺术作品彼此相似，颜色、形状或阴影略有不同。当你看到这些相似的作品时，你可能需要停下来发现一个点或一个新元素所激发的不同感觉。

Hundreds of lines created by the repetition evoke a resonating sense of vibration. Even though the patterns are a conscious decision, the concept of self-repetition within goes beyond the work itself. artistscreate art similar to each other, with slight differences in colors, shapes, or shadows. And when you look at these similar pieces, you might need to stop for a moment to spot a different feeling stimulated by a dot or a new element.

‘landscape research 5’ 31x31cm, Chinese ink on paper, 2022

‘landscape research’ 14x14cm each, Chinese ink on paper, 2022

这种不断的重复给了我一个思考整个过程的空间，这个过程可能需要数小时、数天、数周，有时甚至数月才能完成。使用传统材料和冥想过程，我创造了一些新的东西。

This constant repetition gives me a space for thinking through the process, which can take hours, days, weeks, and sometimes months to finish.

With traditional materials and meditative processes, I create something new.

‘window 4’ 19x21cm, Chinese ink on paper, 2022

‘window 1’ 19x21cm, Chinese ink on paper, 2022

‘diary 4’ 30x30cm, Chinese ink on paper, 2022

‘diary 5’ 30x30cm, Chinese ink on paper, 2022

‘diary 1’ 30x30cm, Chinese ink on paper, 2022

Solo exhibitions:

2021: “Chiseling the Light with ink” Taipei, Taiwan

2020: “In Between” Galerie Grand Siecle, Taipei, Taiwan

2016: " Межа/грань/border" Khmelnitsky Region Art Museum. Ukraine 2016: «Ink Mark» JuEr space. Beijing, China 2015: "Complex Simplicity" auto studio. Beijing, China 2015: “The Calling” at DARA gallery. Beijing, China

2014: "Monochrome World" Kogo art gallery, Hangzhou, China 2014: "Three Steps" BIFT park, Beijing institute of fashion technology. Beijing, China

Two/Three-Person Exhibition:

2018: “Inversion” Clerkenwell Space, Beijing, China

2018: “Ritual” Sky Moca Gallery. Beijing

2016: "Sinergia" Sky Art Foundation, Kiev. Ukraine.

Selected group exhibitions:

2021: “Linear” JH Gallery. Shanghai, China.

2021: “Unknown Reality” Baolong Art center, organized by Shanghai Jiaotong University and ICCI Art Valley, Shanghai, China

2021: “Linear” Longkong Art Museum. Beijing, China.

2020: “Return to the forest” Dongyan Mountain Forest Recreational Area. Taoyuan City, Taiwan.

2019: “Without Ink” Art Tianjin Contemporary Ink Exhibition, Tianjin

2019: “A Piece of cotton paper” JiuCeng Art Museum, Beijing

2019: “Reconstruction” Aotu space, Beijing

2019: “Grey silence” Tong Gallery, Beijing

2018: “Investigation” Klerkenwell Space, Beijing

2018: “Ritual” Skymoka Gallery, Beijing

2018: “Spring Luster” Skymoka Gallery, Beijing

2017: Curitiba Biennale ’17 «Vibration» Chinese contemporary art exhibition. Curitiba, Brazil

2017: "Non-objective image" OCT space of Manufacturing Cultural. Shenzhen

2017: "Investigation" Cheng gallery. Beijing 2016: "Art Actually" 11Gallery. Beijing 2016: “The Six Jinan International photography Exhibition” Jinan 2016: Group exhibition «Fire Wall» No Gate Gallery. Beijing 2016: «A Great Event is in the Making. But No One has Noticed» at Intelligentsia gallery. Beijing

2015: Group exhibition or Ukrainian and Kyrgyzstan artists, at Sharpen studio. Beijing 2015: «The Collisions inside the Secret Garden at the Museum of Innocence» Workjam coworking space. Beijing 2014: "Semiotic preoccupations: objects, signs and symbols" Intelligentsia gallery. Beijing

2014: Exhibition of young artists at Russian Culture Center in Beijing

In collection:

Shanghai Jiaotong University

Sky Art Foundation (Kiev, Ukraine) 11Gallery (Beijing, China) Cheng Center for Contemporary Art (Beijing, China)

Works held in private collections around China, Taiwan, Ukraine, France, UK, Italy, USA, Russia etc.

Art Fairs:

2020: Any Future - Emerging artists fair in Taipei

2020: Art Kaoshiung, Taipei

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Du/Laboratory is a comprehensive experimental platform, involving creative media spanning all levels of contemporary art, maintaining a vigilance against the international contemporary art trend that airs everywhere, and at the same time committing to the full and in-depth excavation of the artist's own system, continuously Focus on practices that hover in the "middle state" on the fringes of art and non-art.

Du/Laboratory是一个综合性的试验平台，涉及的创作媒介跨越当代艺术的各个层面，对四处空降的国际化当代艺术潮流保持一种警惕性，同时致力于艺术家自身系统的充分、深入挖掘，持续关注徘徊在艺术和非艺术边缘“中间状态”的实践。

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