2015.10
for EYE OF GYRE
A collection that was created for the solo exhibition held at the “EYE OF GYRE” a gallery in Omotesando during Tokyo Designers Week 2015.
Since it is difficult to grasp beforehand the status of furniture being used when designing furniture for mass production, the designs inevitably tend to become one of an “average specification” that can respond to various scenarios. What’s more, the space will become evened out by such furniture filling the space. Thereupon, we expected a new relationship to develop between space and furniture by conceiving the design of the furniture from a specific space. By walking around the gallery we went through a special design process of being inspired by elements that are normally “troublesome”, such as the corner of the room or protruding columns. In the process, we took turns in verifying how the furniture was balanced as it was placed within the space, as well as the proportion of the furniture itself. This resulted in the creation of mysterious tables that consisted of a 5mm square metal rod with a small tabletop measuring a radius of 100mm attached to it.
The design utilizes the element of space as a part of its structure by “parasitizing” on to the corners or edges of the walls, the edge of the floor and exhibition stands.（
为2015年东京设计师周在表参道的“ EYE OF GYRE”画廊举办的个展创造的一个收藏。
由于在设计用于批量生产的家具时很难预先掌握家具的使用状态，因此设计不可避免地趋向于成为可以应对各种情况的“平均规格”之一。更重要的是，这种家具将使空间变得平整。因此，我们期望通过从特定的空间构思家具的设计，在空间和家具之间建立新的关系。通过在画廊周围走来走去，我们经历了一个特殊的设计过程，受到通常“麻烦”的元素（例如房间的拐角或突出的柱子）的启发。在此过程中，我们轮流检查家具在放置在空间中时如何保持平衡，以及家具本身的比例。这导致创建了神秘的桌子，该桌子由一个5mm的方形金属棒和一个直径为100mm的小桌面组成。
该设计通过“寄生化”墙壁的角落或边缘，地板的边缘和展台，将空间元素作为其结构的一部分。）
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