『绘画艺术中的理性与情感』，是Du/laboratory以主题性策划发布的一个推送。此次我们邀请艺术家分享他们的艺术实践。Du/laboratory后续会发布不同主题性推荐。

"Rationality and Emotion in Painting" is an article planned and published by Du/laboratory. This time we invite artists to share their artistic practice. Du/laboratory will release different themed recommendations in the future.

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艺术家：蒯连会

春水东流Time Flow -4 50x60cm

布面油画 Oil on linen 2014

思想者 The Thinker 尺寸可变Variable in size

装置Installation: 综合材料 Comprehensive Material 2021

Time Undefined 4-1 120x190cm

布面丙烯 Acrylic on Linen 2016

面对噪音：抽离与重构

蒯连会的创作始于油画，在研究生阶段积累了扎实的造型能力，博士阶段则从事外国美术史相关课题的研究。她将个体对于生活和艺术的认知展现在日常的创作之中。2010年之后，她对于绘画的理解就不再停留在技术和形式层面，画面中的形象开始“扭曲”与“变形”，有的甚至进行了一定程度的“破坏”。如《业余模特》、《近山》等系列作品。近些年，她的作品则彻底地从具象走向了抽象，转向了一种“随心所欲”的表现，材料上也从布面油彩扩展到综合材料，如《微笔记》《春水东流》《生日快乐》等作品，她在作品中重新思考艺术与自身、个体与世界的关系。

Facing the Noise: Extraction and Reconstruction

Kuai Lianhui began her work with oil painting, and accumulated solid plastic skills during her postgraduate studies, while her doctoral studies were devoted to research on foreign art history. After 2010, her understanding of painting no longer remains at the level of technique and form, and the images in her paintings begin to be "distorted" and "deformed", and some even undergo a certain degree of "destruction". For example, the series of works such as "Amateur Model" and "Near the Mountain". In recent years, her works have moved radically from figuration to abstraction, to a kind of "arbitrary" expression, and her materials have expanded from oil on canvas to mixed media, such as "Micro Notes", "Spring Water Flowing Eastward", "Happy Birthday", etc. In her works, she rethinks the relationship between art and herself, and between the individual and the world.

Time is a Brush 95x66cmx3

装置装置Installation: 有色纸光线时间等 Colored Paper ;light ;time etc. 2018

Time Undefined 2-1 90x140cm

木板油画 Acrylic on Board 2015

从某种程度上看，“噪音”一词一直与她的创作有关。这里所说的“噪音”不是指听觉感受到的那种所谓不和谐的声音，这里的“噪音”不是褒义也不是贬义，是一种与个体存在共生的心理感受，这种感受既来源于对艺术的追求，也存在于个体的生存体验，很多时候艺术家用艺术创作方式潜意识的反复描绘着“噪音”，同时也在通过创作的过程来去除“噪音”，而与他人不同的是，艺术家将这一过程最终物化为可感知的艺术作品。

To some extent, the word "noise" has always been related to her creation. The term "noise" here does not refer to the so-called discordant sound that is perceived by the sense of hearing, it is neither positive nor negative, but a psychological feeling that is symbiotic with individual existence. In many cases, artists subconsciously and repeatedly portray the "noise" by means of artistic creation, while also removing the "noise" through the process of creation. Unlike others, the artist materializes this process into a perceptible work of art.

White Noise-3 120x90cm

布面丙烯 Acrylic on Linen 2020

白噪音White Noise 200x360cm

布面丙烯 Acrylic on Linen 2021

白噪音White Noises-3 ，156x223cm

纸本水墨丙烯 Chinese Ink and Acrylic on Paper 2018

白噪音：移置与重复

作为一个将创作视为日常生活且不断思考的艺术家，蒯连会用看似随意的笔触和极简的画面形成自身独特的艺术风格，体现出一个中国艺术家在当下文化境遇中的思考和追求。

White Noise: Displacement and Repetition

As an artist who considers creation as a daily life and is constantly thinking about it, Kuai Lianhui uses seemingly random brushstrokes and minimalistic images to form his own unique artistic style, reflecting the thinking and pursuit of a Chinese artist in the current cultural circumstances .

W/M-2 100 x80cmx2

布面丙烯 Acrylic on Linen 2020

W/M -46 76x53cm

纸本水墨综合 Chinese Ink and Acrylic on Paper 2020

W/M -19 76x53cm

纸本水墨综合 Chinese Ink and Acrylic on Paper 2020

首先，她在创作中重视媒介自身，画布、颜料和其他元素一起成为了作品的有机组成部分，作品往往将材料本身的特性显现出来，用一种“纯粹的视觉真实”来展现作品的绘画性；其次，与很多抽象作品不同的是，她的作品具有强烈的东方特色和情怀，作品呈现出一定的东方艺术美学。比如她很着迷于中国画里书写的感觉，迷恋于中国书法里对字形与结构取舍的自主性和线的抽象性，所以她的作品极其注重主体精神的传达；第三，她的作品一直处于“自我否定”之中。恰如沃林格认为，在艺术创造中，除了情移的冲动以外，还有一种与之相反的冲动支配着，这便是“抽离的趋势”。

Firstly, she attaches importance to the medium itself in her works, and the canvas, paint and other elements become an integral part of the work, often revealing the characteristics of the material itself, and using a "pure visual reality" to show the pictorial nature of the work.In the same way, her works have a strong oriental character and sentiment, and her works present a certain oriental art aesthetic. For example, she is fascinated by the feeling of writing in Chinese painting, and the autonomy of Chinese calligraphy in the choice of character shape and structure and the abstraction of lines, so her works are extremely focused on the communication of the spirit of the subject; thirdly, her works are always in "self-denial". As Wallinger argues, in the creation of art, in addition to the impulse to penetrate in terms of feeling, there is an opposite impulse that governs: the "tendency to depart".

Gift 148x200cm

布面丙烯 Acrylic on Linen 2022

Gift-1 71x56cm

布面丙烯Acrylic on Linen 2021

Gift 170x150cm

布面丙烯 Acrylic on Linen 2022

蒯连会常说自己在艺术中没有迷茫，只有不断的肯定、否定、再否定等等不断的实验、实践和体会，她一边抛弃学习得来的经验和手段，一边不断找寻最适合描绘对象的艺术语言，用抽象的形式来传达情感和观念，重建人与自然之间的诗意化的联系。与很多画家不同的是，她的作品具有很强的抒情性与绘画性，作品仿佛是书写出来的，这种特有的视觉感受是艺术家通精心选择的材质和笔触来实现的。所以她的作品虽然没有过多指向性的、明确的符号，也没有任何具体的绘画形象，但却有一种直触观者心灵的色彩和笔触。

Kuai Lianhui often says that she is not lost in art, only constantly affirming, denying, and denying again, and so on, constantly experimenting, practicing and experiencing. While discarding the experience and means she has learned, she keeps searching for the most suitable art language to depict the objects, using abstract forms to convey emotions and concepts, and rebuilding the poetic connection between human and nature. Unlike many painters, her works are very lyrical and pictorial, as if they are written, and this unique visual feeling is achieved through the artist's carefully chosen materials and brush strokes. Therefore, although her works do not have too many pointing and clear symbols, nor any specific painting images, they have a kind of color and brushstroke that directly touch the viewer's heart.

Gift-6 75x65cm

布面丙烯acrylic on linen 2022

蒯连会是一个注重生活感受的艺术家，她的很多作品犹如日常的笔记。比如在《雨季来临》系列作品中，与那些直接从自然中抽取出图像再加以抽象化处理的艺术家不同的是，她的画面中不存在可以与现实直接对应的观照物，雨季来临在这里只是一个隐喻和象征，作品表现的是不同时空主体情感的多种状态，作品中的各种“形式因素”并非对自然物象的描摹，但却可以唤起观众内心的情感共鸣。蒯连会说：“某个阶段决定画什么应取决于内心最强烈的需求和表达的欲望和能力，以及契合身体、心理、精神的状态的综合。”

Kuai Lianhui is an artist who focuses on the feeling of life, and many of her works are like daily notes. For example, in the series of "The Coming of the Rain", unlike those artists who extract images directly from nature and then abstract them, there are no objects in her pictures that can directly correspond to reality, and the coming of the rainy season is only a metaphor and symbol. The various "formal elements" in the works are not the description of natural objects, but they can evoke the emotional resonance of the audience. Kuai Lianhui says: "The decision of what to paint at a certain stage should depend on the strongest inner needs and desire and ability to express, as well as the synthesis of physical, mental and spiritual states that fit."

The Moment-4 100x150cm

布面丙烯Acrylic on Linen 2021

在《白噪音》系列作品中，她在观念和视觉再现方面找到了一种有效的转换，她把一种心理的感受通过绘画的过程和结果体现出来，白噪音既是艺术家对客观世界的一种态度，也是一种回应。可以说，她非常享受艺术创作过程以及在这个过程中给她带来的丰富的体验，与此同时，她也不断在艺术中反观自我、反思世界。再如《生日快乐》系列作品，在后疫情时代，她有感于大自然不可预测的强大力量和生命的无常，所以她用作品对生命意义进行追问并给出了答案，即生命意义就在于当下，而每一个当下都可以是值得庆祝的新生。

In the White Noise series, she has found an effective transformation in terms of conceptual and visual reproduction. She embodies a psychological feeling through the process and result of painting, and the white noise is both an attitude and a response of the artist to the objective world. It can be said that she enjoys the process of art creation and the rich experience it brings to her, and at the same time, she constantly reflects on herself and the world in her art. For example, in the "Happy Birthday" series, in the post-epidemic era, she feels the unpredictable power of nature and the impermanence of life, so she uses her works to ask and give an answer to the meaning of life, that is, the meaning of life lies in the present moment, and every present moment can be a new life worth celebrating.

Happy Birthday-7 120x180cm

布面丙烯Acrylic on Linen 2022

Acrylic on Linen 2021

The Moment-2 150x200cm
布面丙烯Acrylic on Linen 2021

去噪音：转化与回归

蒯连会的创作可以说给我们呈现了这样的现状，艺术家在进行抽象艺术创作的时候，已经开始脱离了诸如“东方”与“西方”、“具象”与“抽象”等简单的二元对立，对自我身份的清醒认知和艺术意识的自觉，构建了一个既不排斥西方艺术语言同时又有别于西方的美术思想系统。她创作中的明显特征是与中国自身固有的文化传统有着密切的联系，与中国的文学、哲学、美学等密不可分，且非常自然的将传统的图式、意境或者精神转换和移置到自身的创作之中。

De-noise: Transformation and Return

Kuai Lianhui's creations present us with the current situation that the artist, when creating abstract art, has begun to break away from simple dichotomies such as "East" and "West", "figurative" and "abstract". In her abstract art creation, the artist has begun to break away from simple dichotomies such as "East" and "West", "figurative" and "abstract", and has built a system of art thinking that does not exclude Western art language but is at the same time different from the West, with a clear awareness of her identity and artistic consciousness. The distinctive feature of her creation is that it is closely connected with China's own inherent cultural tradition, inseparable from Chinese literature, philosophy and aesthetics, and very naturally transforms and transposes traditional patterns, moods or spirits into her own creation.

维 Dimension 尺寸可变 Variable size
不锈钢卷尺碎片 Stainless Steel Tape Measure Pieces 2017

WM -2 200x360
布面丙烯 Acrylic on Linen 2022

总的来看，如果我们将蒯连会近年的创作分为“噪音”、“白噪音”和“去噪音”三个阶段，那么，第一阶段是艺术家再次认知“传统”的时期，我们看到了艺术家直面各种“噪音”，通过“去风格化”的一系列实践，在不断的自我否定中，从一种表现主义的风格走向了抽象的表达；进入第二阶段，通过“抽离”和“重构”原有在作品中起到支撑作用的语言要素，她开始摆脱所谓的“噪音”，从“知而后行”转换到“先行而后知”，通过“刻意练习”将自身的情感和观念移置到视觉的表达中，特别要说明的是，此时创作的过程也成为了作品意义的一部分；到了“去噪音”的阶段，她在不断的自我否定中创作出纯粹的视觉文本，“噪音”成为了“白噪音”，但“白噪音”之后，艺术家又开始从与“噪音”共生走向了自我的转化和重生，当然，这仅仅是她又一段新的艺术历程的开启。

游江

2021年7月11日写于深圳（文章为部分截取）

Generally, if we divide Kuai Lianhui's recent works into three stages: "noise", "white noise" and "de-noise", then the first stage is the period when the artist again perceives. The first stage is the period when the artist again perceives "tradition", and we see that the artist faces all kinds of "noise" directly, and through a series of practices of "de-stylization", he moves from an expressionistic style to an abstract expression through continuous self-denial. In the second stage, by "abstracting" and "reconstructing" the original linguistic elements that played a supporting role in her works, she began to get rid of the so-called "noise" and move away from "knowing but not knowing". By "abstracting" and "reconstructing" the original language elements that play a supporting role in her works, she starts to get rid of the so-called "noise" and switch from "knowing before acting" to "knowing first and knowing later", and through "deliberate practice" she displaces her own emotions and concepts into visual expression. In the stage of "de-noise", she creates pure visual texts through continuous self-denial, and the "noise" becomes "white noise". But after "white noise", the artist starts to move from symbiosis with "noise" to the transformation and rebirth of herself, which, of course, is only the beginning of another new artistic journey.

You Jiang

2021.7.11 Shenzhen (The article is a partial interception)

2021深圳美术馆个展现场
2021 Solo exhibition at Shenzhen Art Museum

2022壹Art双个展现场
2022 YI Art space double solo exhibition scene site

简历：蒯连会，1974年生于江苏滨海。油画硕士，外美史博士; 曾任教于南艺，2010年作为特殊人才引进工作于江苏省美术馆；现为国家一级美术师，江苏省美术馆江苏省油雕院专职画家，江苏省油画学会理事。Kuai Lianhui. Born in Binhai, Jiangsu on December 14, 1974. In 2004, she graduated from Nanjing University of the Arts, majoring in oil painting with a master's degree, and taught there in the same year. She earned a doctorate degree in foreign art history in 2009, and received a Ph.D. research and innovation project in Jiangsu Province in the same year. In 2010, she worked as a special talent in the Academic Department of the Collection and Research Center of Jiangsu Art Museum. She is now a national first-class artist, a professional painter within Jiangsu Oil &Sculpture Institute of Jiangsu Art Museum and a fellow member of Jiangsu Oil Painting Society.

部分获奖记录：

作品《雨季》《时间的不可复制》《W/M》等系列参加多个国家艺术基金、省艺术基金等推广交流项目（2014-2021）；作品《寻常序列之白噪音系列》获首届江苏省333人才科研资助项目（2018-2020）；被评为江苏省第五期“333高层次人才培养工程”中青年学术技术带头人，2020；作品《春水东流》系列获首届国家艺术基金（CNAF）优秀项目（滚动资助项目）（2016-2018）；作品《春水东流》系列获首届国家艺术基金（CNAF）美术人才个人创作资助项目（2014-2015）；江苏省首届青年美术作品展览铜奖（2014）；第八届江苏省油画展优秀奖（2012）；第十一届全国美展铜奖 (2009)；获得江苏省博士研究生科研创新项目(2009-2010)；博士毕业获得优秀研究生称号（2009）；第五届江苏省油画展优秀奖 (2005)；第十届全国美展江苏省展优秀奖 (2004)；江苏省首届新人新作展优秀奖（2004）；硕士毕业展王嘉廉奖学金年度优秀奖（2004）；第四届江苏省大学生艺术节专业组特等奖（2004）陈之佛奖学金（2003）；江苏省美术作品展览银奖 (2002)。

个展：

2022 “Gift”蒯连会作品展，南京，铂悦江南营销中心； 2021 “观念之上”蒯连会艺术作品展，深圳，深圳美术馆；2021 “时间触发”蒯连会作品展。南京，十竹斋仁恒艺术中心；2021 “寻常序列”蒯连会个展，南京，E-Leaves 空间；2016 “编排”蒯连会作品展，南京问象空间；2015 无迹可寻——蒯连会“春水东流”作品专题展（国家艺术基金项目），南京，江苏美术馆；

双个展：

2022 “匀速”双个展，合肥；

出版：

2015 出版个人画册《无迹可寻——蒯连会“春水东流”作品集》，天津人民美术出版社；2017 出版《江苏省美术馆创作与研究系列——蒯连会卷》，江苏凤凰文艺出版社；2019 出版著作《观念之上》，江苏凤凰美术出版社。

作品收藏：

江苏省美术馆、关山月美术馆、深圳美术馆、北京时代美术馆、深圳文博会美术馆、深圳罗湖美术馆、国家艺术基金、北京大道融源基金会、华亚艺术基金会、淮安美术馆等。

主要群展：

2022 “从你到我.From you to I”当代女性艺术家绘画提名展2021 “物体介入”装置艺术作品展，南京；2020 她水墨-学术提名展，今日美术馆，北京；2019 第十届深圳国际水墨双年展， OCAT深圳馆，深圳；2019 又见白鹭飞-中国当代名家邀请展，湖州；2019 法模.心范-2019中国当代艺术邀请展，深圳；2018 “对话”中日当代艺术展，东京；2017 女性与时代——百年中国女性艺术大展，北京；2017 第五届全国画院美术作品展，南京；2016 “隐秘之境 . 微体验”——2016当代艺术展，深圳；2016-2019 首届国家艺术基金项目优秀项目国内外巡展，中国、新加坡等；2015-2016 “心智与图式”绘画作品展（国家艺术基金项目），南京、深圳、北京等；2015 “私绘画”艺术展，上海；2015 “日常异常－符号隐现与系统生成”艺术展，深圳；2014 第十二届全国美展,杭州美术馆，杭州；2014 江苏省美术馆馆藏2008奥运国礼陶盘展，南京；2014 “她·时代” 艺术展，北京；2013 第十届中国艺术节·全国优秀美术作品展,山东；2013 中國當代優秀中青年藝術展；洛杉矶；2013 中.意.埃艺术家地中海联合展，罗马；2012 “可见之诗”第二届中国油画写生作品展，北京；2012 “闳约深美”南京艺术学院百年师生作品展, 北京、上海；2011 第四届全国青年美展，北京、杭州、南京等；2010 “油画艺术与当代社会”中国油画展，北京；

the Awards:

works like "Rainy Season", "The Irreproducible time", "W/M" and other series have participated in the promotion and exchange projects of many national art funds and provincial art funds (2014-2021); The work "White Noise Series of Ordinary Sequences" won the first 333 Talent Research Funding Project(2018-2020); From 2018 to 2020, she was selected as the young and middle-aged academic and technical leader of the "333 high-level talent training" project in Jiangsu Province; the series of "Spring Water Flowing Eastward" won the National Art Fund (CNAF) Rolling Fund Project（2016-2018）；the series of "Spring Water Flowing Eastward" won the National Art Fund (CNAF) Art Creative Talent Funding Project（2014-2015）；Bronze Award in the First Youth Art Exhibition of Jiangsu Province (2014);Excellence Award of the 8th Jiangsu Oil Painting Exhibition (2012);Bronze Award in the 11th National Art Exhibition (2009);Graduated with a Ph.D. and won the title of Excellent Graduate (2009);Excellence Award of the Fifth Jiangsu Oil Painting Exhibition (2005);The 10th National Art Exhibition Jiangsu Province Exhibition Excellence Award (2005);The 10th National Art Exhibition Jiangsu Provincial Exhibition Excellence Award (2004); Excellent Award of the First New Artist and New Works Exhibition of Jiangsu Artists Association (2004);Master's Graduation Exhibition Wang Jialian Annual Excellence Award (2004)Special Prize in the Professional Group of the 4th Jiangsu University Students Art Festival (2004);Jiangsu Province Art Works Exhibition Silver Award (2002);

Solo Exhibitions:

2022, "Gift" KuaiLianhui Works Exhibition, Nanjing, Boyue Jiangnan Marketing Center; 2021, "More than the Notion" KuaiLianhui Art Exhibition, Shenzhen Art Museum, Shenzhen; 2021, "Time Triggers" KuaiLianhui Works Exhibition, Nanjing, Shizhuzhai Art Center; 2021, "Ordinary Sequence" Solo Exhibition, Nanjing, E-Leaves Space; In 2016, "Choreographed" The Exhibition of Works of Pu Lianhui, Nanjing Weshine Art Space;2015, Traceless - Special Exhibition of "Spring Water Flowing East" by KuaiLianhui (National Art Foundation Project), Jiangsu Art Museum, Nanjing;

Double Solo Exhibition:

2022, "Uniform Speed" Double Solo Exhibition, Hefei;

Publications

In 2015, published her personal album "No Trace to Be Found-Collection of "Spring Water Flowing Eastward" by Kuai Lianhui", Tianjin People's Fine Arts Publishing House; In 2017, published "Jiangsu Provincial Art Museum Creation and Research Series-Kuai Lian Hui Issue", Jiangsu Phoenix Literature and Art Publishing House; In 2019, She published the book "Above Concept", Jiangsu Phoenix Fine Arts Publishing House.

Collection:

Jiangsu Provincial Art Museum, Guan Shanyue Art Museum, Shenzhen Art Museum, Beijing Times Art Museum, Shenzhen Luohu Art Museum, China (Shenzhen) Cultural Fair Art Museum，National Art Fund, Beijing DaDaoRongYuan Foundation, Huaya Art Foundation, Huai'an Art Museum, etc.

Group Exhibitions:

2022, "From You to Me" Contemporary Women Artists' Painting Nomination Exhibition 2021, "Object Intervention" Installation Art Exhibition, Nanjing; 2020, “Her” Ink Painting - Academic Nomination Exhibition, Today Art Museum, Beijing; 2019, The 10th Shenzhen International Ink Biennale, OCAT Shenzhen Pavilion, Shenzhen; 2019, See Egret Fly Again - Invitation Exhibition of Contemporary Chinese Masters, Huzhou; 2019, Inheritance & Innovation - 2019 Invitational Exhibition of Chinese Contemporary Art, Shenzhen; 2018, "Dialogue" Sino-Japanese Contemporary Art Exhibition, Tokyo; 2017, Women and the Times: A Century of Chinese Women's Art Exhibition, Beijing; 2017, Jiangshan So Many Delicacies: An Exhibition of Literary Heart and Poetry in Contemporary Chinese Art, Shanghai; 2017, The Fifth National Academy of Fine Arts Exhibition, Nanjing; 2016, "The Hidden Realm . . Micro-Experience"——2016 Contemporary Art Exhibition, Shenzhen; 2016-2019, the first National Arts Fund Project Excellent Project At home and abroad touring exhibition, China, Singapore, etc.; 2015-2016, "Mind and Schema" Painting Exhibition (National Art Fund Project), Nanjing, Shenzhen, Beijing, etc.; 2015, "Private Painting" Art Exhibition, Shanghai; 2015, "Everyday Anomalies - Symbol Looming and Systematic Generation" Art Exhibition, Shenzhen; 2014, The 12th National Art Exhibition, Hangzhou Art Museum, Hangzhou; 2014, Jiangsu Provincial Art Museum Collection 2008 Olympic National Ceremony Pottery Plate Exhibition, Nanjing; 2014, "HerTimes" Art Exhibition, Beijing; 2013, "Reflection and Micro-Experience" Chinese Contemporary Youth Art Exhibition, Shenzhen, Shanghai; 2013, The 10th China Arts Festival, National Excellent Fine Arts Exhibition, Shandong; 2013, China Contemporary Outstanding Young and Middle-Aged Art Exhibition; Los Angeles; 2013, Medium. Meaning. Group Exhibition of Ethiopian Artists from the Mediterranean, Rome; 2012, "Visible Poetry" 2nd Chinese Oil Painting Sketch Exhibition, Beijing; 2012, "Hong Yue Shenmei" Exhibition of Teachers and Students of Nanjing University of the Arts, Beijing, Shanghai; 2011, the 4th National Youth Art Exhibition, Beijing, Hangzhou, Nanjing, etc.; 2010, "Oil Painting Art and Contemporary Society" Chinese Oil Painting Exhibition, Beijing

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Du/Laboratory is a comprehensive experimental platform, involving creative media spanning all levels of contemporary art, maintaining a vigilance against the international contemporary art trend that airs everywhere, and at the same time committing to the full and in-depth excavation of the artist's own system, continuously Focus on practices that hover in the "middle state" on the fringes of art and non-art.

Du/Laboratory是一个综合性的试验平台，涉及的创作媒介跨越当代艺术的各个层面，对四处空降的国际化当代艺术潮流保持一种警惕性，同时致力于艺术家自身系统的充分、深入挖掘，持续关注徘徊在艺术和非艺术边缘“中间状态”的实践。

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黄佳 - 纸上作品

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